The life of jahnvi
Jahnvi Singh Rohet was born in 1998 in Rohet, Rajasthan, into a family with deep cultural roots. Raised in the rich tapestry of Rajput traditions, she saw the dualities of heritage and modernity from a young age. As a child, Jahnvi was introverted, often found sketching in the corners of classrooms, her drawings a silent dialogue with the world around her. This introspective nature evolved during her college years, where she embraced a more expressive and adventurous approach to life and art. Her academic journey led her to the prestigious Central Saint Martins in London, where she earned a Master of Fine Arts degree, and a diploma in Indian Aesthetics from Jnanapravaha in Mumbai. Jahnvi's work reflects this marriage of Eastern philosophies and contemporary artistic practices, exploring themes of identity, spirituality, and the interplay between the sacred and the mundane.
The Evolution of jahnvi
While her initial practice was focused on drawing and small paintings, Jahnvi has also experimented with installation, performance, and collaborative works, extending her visual vocabulary to spatial situations. By developing layered compositions of image, object, and text, she transforms gallery spaces into immersive environments, encouraging viewers to navigate her conceptual and emotional terrain. This evolution demonstrates her commitment to making art that engages not just the eye, but the body and mind, offering a multi-dimensional encounter with her themes.
Process as Narative
Jahnvi begins with observational drawing, painting, and collage, often combining fabric, found materials, or ephemeral objects. Her process is a harmony of careful composition and improvisation, with each work unfolding organically as a dialogue between memory, imagination, and materiality. Her paintings capture a rhythm through subtle shifts in color, texture, and line that resonate with the inner and outer worlds she occupies. Each work functions as a fragment of a larger story—an evolving narrative that encourages viewers to read meaning between the visible and the suggested.
Jahnvi's work often incorporates elements of chance alongside deeply considered symbolism. Drawing on myth, historical references, and personal iconography, she negotiates the tension between deliberate design and intuitive response. Everyday objects, gestures, and motifs are elevated to the sacred, creating compositions where the mundane becomes charged with emotional and spiritual significance. This approach mirrors her belief that the ordinary holds stories waiting to be discovered, and that art can serve as a bridge between the material and the transcendent.
Jahnvi approaches art-making with an introspective, exploratory mindset. She often reflects on the role of narrative and personal mythology, saying that her practice allows her to “translate inner dialogues into visual forms.” This intuitive engagement with material and story ensures that her work remains deeply human, resonant, and richly layered. Through her art, she invites viewers to consider the hidden structures of experience, the sacred in the everyday, and the profound insights that emerge when we engage fully with both material and imagination.
WHere her work is
Jahnvi's work has been exhibited widely in the UK and internationally, including Saatchi Gallery, Tate Modern, Lethaby Gallery at CSM, and Trinity Buoy Wharf. Featuring in exhibitions since "All Things Current are Found" in 2023, her work has been included in exhibitions such as Narratives of Identity (2025) and RBA Rising Stars (2025), situating her squarely within the context of contemporary conversation regarding new artistic voices. By extending across the gallery space and public and institutional domains, her work addresses both critical and popular audiences, demonstrating the flexibility and accessibility of her practice across locations and contexts.
Follow Jahnvi Singh Rahat
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